New Music


OLSSON – ‘Shelter’ (feat. FranksDaughter)

From the shimmering synths to the pulsating rhythm section, every element in ‘Shelter’ is crafted, drawing listeners into a euphoric journey that unfolds with each passing beat; The song’s dynamic instrumentation serves as a backdrop for FranksDaughter’s emotive delivery..

OLSSON’s latest single, ‘Shelter’, featuring the captivating vocals of FranksDaughter, is a vibrant blend of indie pop melodies and soulful undertones that take listeners into a buoyant sound. With a nod to the gospel realm, the track transcends conventional boundaries, offering a musical sanctuary reminiscent of OLSSON’s earlier works.

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FranksDaughter’s vocals infuse the track with an infectious energy, weaving effortlessly through OLSSON’s intricate production. The synergy between the two artists is palpable, creating an atmosphere that is uplifting. As the track builds to its anthemic chorus, layers of harmonies cascade over driving percussion, culminating in a cathartic release of emotion that lingers long after the final note fades away. With its fusion of indie pop sensibilities and gospel-inspired fervor, ‘Shelter’ stands as a testament to OLSSON’s prowess as a producer and FranksDaughter’s undeniable talent as a vocalist. Together, they have crafted an absolute bop that resonates with authenticity and passion, leaving listeners craving more from this dynamic duo.

Souvineer – ‘Paradise’

With ‘Paradise’, Souvineer showcases their ability to craft lyrically-driven folk-pop-rock that resonates with depth and authenticity… As they continue to hone their sound and expand their musical horizons, one thing is clear – their unique blend of storytelling and musical craftsmanship is bound to leave a lasting impression on listeners.

The track a testament to Bea’s craftsmanship, with each note echoing the sincerity of her storytelling. The subtle production nuances, courtesy of Winberg (known for his work with Cian Ducrot and Ward Thomas), enhance the raw emotion embedded in the lyrics. The melodic journey feels like a musical conversation, with every strum of the guitar and beat of the drum echoing the complexities of growing up. In Souvineer’s latest track, ‘Paradise’, listeners are swept into an indie folk-rock narrative that paints a vivid picture of a perilous yet enchanting journey. Beginning with gentle, introspective acoustic melodies, the song conjures the image of a tranquil ocean voyage tinged with an underlying sense of danger, akin to sailing towards an enigmatic island cloaked in mystery.

As the song unfolds, the energy crescendos, with the chorus emerging as a powerful wave crashing against the listener’s senses. The subtle interplay between drums, vocals, and guitar nuances adds depth and dimension, guiding the narrative through its various twists and turns. Alissa Leonard’s vocals serve as the guiding light through this musical escapade, her voice carrying the weight of the story with haunting poignancy. Each verse unfolds like a chapter in a gripping novel, drawing the listener deeper into the song’s atmospheric allure. What sets ‘Paradise’ apart is its seamless transition between moments of serenity and intensity, mirroring the ebb and flow of the journey’s emotional landscape. It’s a testament to Souvineer’s artistry and their dedication to capturing the essence of a live performance in the studio.

Rats and Daggers – ‘Mary’

Rats and Daggers’ latest single ‘Mary’ doesn’t tiptoe into the room; it kicks down the door with a thunderous crash of distorted guitars and pounding drums. This isn’t your run-of-the-mill hard rock track; it’s a musical maelstrom that grabs you by the collar and doesn’t let go.

As the song unfolds, it’s clear that Rats and Daggers aren’t content with simply sticking to a formula. They deftly weave between tempos, shifting from breakneck speed to a sinister half-time groove that slithers beneath the skin. The bass growls like a caged beast, while the vocals seethe with a righteous fury, painting a vivid picture of Mary Webster’s defiance in the face of persecution.

But ‘Mary’ isn’t just a history lesson set to music; it’s a visceral experience that leaves you reeling. The guitars snarl and spit with a ferocity that’s downright primal, while the drums thunder like a gathering storm on the horizon. It’s the sound of pent-up frustration and righteous anger, channelled into three minutes of pure mayhem. Drawing inspiration from the likes of IDLES and Queens of the Stone Age, Rats and Daggers have crafted a track that is as infectious as it is incendiary. With their upcoming EP looming on the horizon, it’s clear that this power trio is poised to make a serious dent in the contemporary music scene. So, buckle up and brace yourself—because Rats and Daggers are here to shake things up, one blistering riff at a time.

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