Gaylips – ‘Smashing your head against a brick wall is a full-time occupation.’
Gaylips’ latest release, ‘Smashing your head against a brick wall is a full-time occupation,’ surges into the post-grunge indie rock scene with a relentless energy that’s as infectious as it is aggressive: It’s the kind of track that feels like a punch to the gut, leaving you simultaneously exhilarated and winded.
Drawing parallels to the likes of At the Drive-In and Queens of the Stone Age, Gaylips carve out their own niche, blending raw guitar riffs with a driving rhythm section that propels the song forward with unyielding force. The vocals, dripping with attitude and conviction, serve as a rallying cry for the disenchanted and disillusioned. From the pounding drums to the gritty distortion of the guitars, every element of ‘Smashing your head against a brick wall is a full-time occupation’ feels purposeful and deliberate.
Despite being an independent release in a sea of industry giants, Gaylips prove that passion and talent can shine through the noise. With their uncompromising sound and unapologetic attitude, they stake their claim in the ever-evolving landscape of alternative rock.
So, while the music industry churns out tracks by the thousands, Gaylips remind us that artistry transcends labels and statistics. ‘Smashing your head against a brick wall is a full-time occupation’ isn’t just a song—it’s a statement of defiance, a declaration of intent, and a damn good time.
Oli Barton – ‘The Light’
Oli Barton’s latest offering, ‘The Light’, emerges as a brooding testament to his evolving sound, blending the allure of online romance with crashing waves of guitar-led crescendos. Drawing inspiration from the likes of Arctic Monkeys and Cage The Elephant, Barton crafts an atmosphere that drips with sensuality and aggression, inviting listeners into the murky depths of modern-day courtship.
Produced by Alex Quinn and mixed by Tom Longworth, ‘The Light’ delves into the hedonistic realm of one-night stands, weaving a narrative that oscillates between seductive whispers and thunderous riffs. Barton’s cheeky lyrical observations add a layer of intrigue, injecting a dose of dark humour into the pulsating beats.
As a performer, Barton’s electrifying stage presence has earned him accolades, with ‘The Light’ poised to further solidify his status among the indie elite. With nods to artists like Kid Kapichi and King Nun, Barton carves out his own niche, marrying anthemic choruses with a penchant for irony. Described as “extremely raucous” and “blistering” by BBC Introducing, Barton’s sound is a fusion of galvanising energy and classic charm, honed through years of busking and independent releases. With ‘The Light’, he cements his position as a provocateur, blending romanticism with unapologetic wit, and leaving an indelible mark on the indie music landscape.
Tits Upon Tyne 