Aidan Rhys – ‘High’
The track envelops the senses with moody visuals painted by atmospheric soundscapes. Each note is a brushstroke, painting a pathway of emotions that oscillate between dark reverie and chilling introspection. Rhys’s vocals serve as the guiding light through this labyrinth, their haunting timbre delivering lyrics imbued with raw vulnerability and introspective poignancy.
Aidan Rhys’s ‘High’, invites listeners into a realm where indie rock intertwines with dream pop, crafting an ethereal landscape of melancholic allure. Channeling the introspective depths of the witching hour, Rhys delves into the aftermath of fleeting connections, echoing the somber tones of late-night contemplation.
Echoes of artists like Tamino and Lana Del Rey resonate within the composition, yet Rhys carves out a distinct sonic identity, seamlessly blending alternative rock sensibilities with dreamy undertones. The result is a composition that breaks genre boundaries, captivating listeners with its enigmatic charm. ‘High’ stands as a testament to Rhys’s prowess as both a musician and a storyteller, offering a glimpse into the tumultuous landscapes of the human experience. With its alluring blend of melancholy and introspection, this track is sure to leave a lasting impression on those who dare to traverse its haunting melodies.
Shawn William Clarke – ‘My Key Light’ (Quiet Company)
‘My Key Light (Quiet Company)’, serves as a tantalising prelude to his upcoming album, ‘Softer Scissors’: Delving into the realms of indie folk with a twist of quirkiness, Clarke’s musical concoction is akin to a comforting embrace on a chilly evening.
Drawing inspiration from the likes of Wilco and Hayden, Clarke masterfully blends folk-rock elements with an indie sensibility, creating a sound that is both familiar yet refreshingly original. The song’s production, helmed by Rob Currie, breathes life into Clarke’s vision, with each note and nuance meticulously crafted to perfection.
“All my albums have a spiritual decade that informs their creation. William had the 70’s British folk of Richard & Linda Thomson and Sandy Denny hanging over the sessions, while TOPAZ featured subtle hints from the 80’s Gordon Lightfoot and the New Age genre. Softer Scissors has one foot in the 90’s. I was inspired by the DIY spirit captured in the early albums of Beck & Hayden, and the power pop sensibilities of Sloan. The gift of a 90’s 8-track cassette recorder informed the recording sessions. All the drums were run through the machine, and I don’t think I’ve ever had a better drum sound!”
Shawn William Clarke
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‘My Key Light (Quiet Company)’ emanates warmth, weaving intricate narratives through Clarke’s tender vocals and delicate instrumentation. Clarke invites listeners into a world of introspection and exploration, where themes of love, loss, and the human experience intertwine with melodies that linger long after the final chord fades. As Clarke aptly puts it, “We’re all in this together”, and ‘My Key Light (Quiet Company)’ is a gentle reminder of the power of music to unite us in times of uncertainty.
Kellie Loder – ‘Honey I’m Scared’
Kellie Loder’s latest offering, ‘Honey I’m Scared’, from the much-anticipated album ‘Transitions’, immerses listeners in a sund that blends genres with ease; blending folk, Americana, and indie pop influences into a multi-layered marvel. Crafted under the skilled hands of producer Cory Tetford in Dartmouth, Nova Scotia, this track captures Loder’s unmatched songwriting prowess and their ability to evoke raw emotion through music.
From the opening chords, Loder’s distinctive sound grabs your attention, weaving a tale of love and fear against a backdrop of mesmerising melodies: The song’s evocative lyrics, inspired by a real-life anecdote, paint a vivid picture of vulnerability and self-discovery, inviting listeners to delve into the depths of their own emotions!
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Loder’s magnetic stage presence shines through in every note, drawing listeners into a world where pain and pleasure intertwine seamlessly. With each heartfelt lyric and soaring chorus, they transport audiences on a journey of self-reflection through emotive storytelling and powerful lyricism that leaves a lasting impression. In ‘Honey I’m Scared’, Kellie Loder proves once again why they are hailed as a rising star in the music industry. With their unparalleled talent and infectious energy, they are set to captivate audiences worldwide, solidifying their place among the greats of contemporary music. So, sit back, relax, and let the magic of Kellie Loder’s music wash over you…
Blue Canopy x A Beacon School – ‘Bright Spot II’
Blue Canopy and A Beacon School intertwine their musical skills in a mesmerising sequel to Blue Canopy’s 2022 hit, ‘Bright Spot’, aptly titled ‘Bright Spot II’. Released under Grind Select, this collaboration fuses indie electronic vibes with dream pop sensibilities, creating a swirling sonic landscape that’s both moody and chill.
From the moment the track starts, listeners are enveloped in warm, inviting tones that seem to wrap around them like a comforting blanket; The electronic elements pulse and shimmer, creating a sense of movement and depth within the music. Layers of synths ebb and flow, building and releasing tension in a beautifully orchestrated dance.
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The vocals, delivered with emotive precision by Alex Schiff, weave seamlessly through the lush instrumentation. Each word carries weight, conveying the longing and hopefulness embedded within the lyrics. The lyrics themselves reflect on a tumultuous relationship, navigating the complexities of love and longing with honesty and vulnerability. ‘Bright Spot II’ is a testament to Blue Canopy’s ability to craft evocative, genre-defying music. With its dreamy atmospherics and introspective lyrics, this track is sure to resonate with listeners seeking a sonic escape. It’s a shining example of the power of collaboration and creativity in the indie electronic scene.
Tits Upon Tyne 